COMMUNITY:
On my image I see the boys look out for each other making sure everyone is protected
and have everything they need. Everyone relies on each other, everyone wears the same
outfit making them feel equal. The oldest take care of the younger and communication is
a really important thing for them.
AUTHENTICITY:
Using natural resources as ways of energy, using natural elements for something that
humans never thought of. The fact of using natural elements to create energy is authentic on a way that the first person that invented it opened the doors for the others generations to come to make it better and build upon that idea.
INNOVATION:
Ways of technology being evolved over the years and man always looking for ways to
improve it. When something is invented, it has to go through a series of tests and improvements 'til the final product reaches its maximum. By comparing the ship to the boat, it makes me thing about the prehistoric times when humans started hunting and always finding new ways to make the hunting more efficient and faster.
STEWARDSHIP:
Although their resources are limited, they take care of what they have and know how to
appreciate it. Preserving what they have and knowing how to and when to use it. For example, in Africa resources are limited and other parts of the world, and people learn how to take advantage of natural resources and know how to appreciate what they have. In other parts of the world like Germany or Italy, people do not know how to appreciate the resources they have because their resources are not the same as in other parts of the world where their resources are limited
Raul Garcia
Friday, March 16, 2012
Friday, January 13, 2012
Individual Scheme submission for the Solar Decathlon [IARC 301]
This is my individual scheme for the solar decathlon competition, the process that we went through to develop this project was to analyze our own dwelling and imagine ourselves functioning within the spaces to then later develop a scheme that would adapt to our own needs and design the spaces according to how we use those areas. One of the challenges that I faced while working on this project was the ability to break those routines and accommodate a new way of using the spaces and designing the structure of the house from the inside out, rather than from the outside in. I found myself challenged by the fact that our professor suggested us to design our scheme from the inside out because I come from an Architectural program, I have been taught to design from the outside in looking at the roof and wall lines, and working my way in to then worry about the interiors of the building.
The roof line was designed according to the needs that this structure needed to be designed, for the collection of water and for solar panels to be facing south for the collection of passive and solar energy to store or collect solar energy to then distribute it in the form of heat during the winter seasons.
Friday, December 10, 2010
POINT: EXPLORATIONS
The explorations unit was an introduction to all the mid century modern architecture from the 1950s and the architects that made a difference during this period of time. Frank Lloyd Wright's principles of organic architecture combined with many elements reflected in the International movements including the work of Le Corbusier, and Mies Van Der Rohe. Like many of Wright's designs, mid century architecture was frequently employed in residential structures with the goal of bringing modernism into America's post war suburbs. This style emphasized creating structures with ample windows and open floor plans with the intention of opening up interior spaces and bringing the outdoors in. Many mid century houses utilized then groundbreaking post and beam architectural design that eliminated bulky support walls in favor of walls seemingly made of glass. Function was as important as form in mid century designs, with an emphasis placed specifically on targeting the needs of the average American family.
Later, some of the important architects that were revolutionizing the European architecture, brought some of that modern style to the great North American country. It was just the beginning of how European architects would influence a lot of the architecture in the United States that we see today. We talked about how Eero Saarinen contributed to the design of modern structures here in the United States, bringing some of that modern European style to North America.
One of the examples we talked in class was the Dulles Airport in Northern Virginia, this particular structure included a landscaped man made lake to collect rainwater, a low rise hotel, and a row of office buildings along the north side of the main parking lot. The design also included a two level road in front of the terminal to separate arrival and departure traffic and a federally owned limited access highway connecting the terminal to the Capital Beltway I-495 located approximately 17 miles to the east.
The European architects kept migrating to United States, and a lot of these european architects influenced a lot of the modern architecture from the 1950s. Ludwig Mies Van Der Rohe (German architect) was another remarkable architect that influenced a lot of the modern architecture in North America. After 1933, Nazi political pressure soon forced Mies to close the government financed school. He built very little in these years one built commission was Philip Johnson's New York apartment; his style was rejected by the Nazis as not "German" in character. Frustrated and unhappy, he left his homeland reluctantly in 1937 as he saw his opportunity for any future building commissions vanish, accepting a residential commission in Wyoming and then an offer to head the department of architecture of the newly established Illinois Institute of Technology in Chicago. Here he introduced a new kind of education and attitude later known as Second School of Chicago, which became very influential in the following decades in North America and Europe.
Later, some of the important architects that were revolutionizing the European architecture, brought some of that modern style to the great North American country. It was just the beginning of how European architects would influence a lot of the architecture in the United States that we see today. We talked about how Eero Saarinen contributed to the design of modern structures here in the United States, bringing some of that modern European style to North America.
One of the examples we talked in class was the Dulles Airport in Northern Virginia, this particular structure included a landscaped man made lake to collect rainwater, a low rise hotel, and a row of office buildings along the north side of the main parking lot. The design also included a two level road in front of the terminal to separate arrival and departure traffic and a federally owned limited access highway connecting the terminal to the Capital Beltway I-495 located approximately 17 miles to the east.
The European architects kept migrating to United States, and a lot of these european architects influenced a lot of the modern architecture from the 1950s. Ludwig Mies Van Der Rohe (German architect) was another remarkable architect that influenced a lot of the modern architecture in North America. After 1933, Nazi political pressure soon forced Mies to close the government financed school. He built very little in these years one built commission was Philip Johnson's New York apartment; his style was rejected by the Nazis as not "German" in character. Frustrated and unhappy, he left his homeland reluctantly in 1937 as he saw his opportunity for any future building commissions vanish, accepting a residential commission in Wyoming and then an offer to head the department of architecture of the newly established Illinois Institute of Technology in Chicago. Here he introduced a new kind of education and attitude later known as Second School of Chicago, which became very influential in the following decades in North America and Europe.
We learned in class that Chicago was one the cities where modern architecture was reflected the most and New York the second city with population growing, the need for high rises were necessary to accommodate people.
The IBM Plaza building in chicago is one the examples of numerous projects that
Mies built in the United States
As we approached the end of the class, we studied the "hi tech" movement in the 1980s. A style of architecture and design that emerged in the 1980s, inspired by and embracing modern technology. It is characterized by visual simplicity, elegance and the use of industrial to refer to the development in the Modern Movement when designers began using new materials, such as glass, bricks, metals and plastics in favour of traditional materials; this is sometimes called the "industrial" style. This period of time is when the interiors of buildings were starting to be revolutionized by using a wide range of new materials from that era as illustrated below with the image of Interior of a mausoleum with decorative railing at Pinelawn Memorial Park in Farmingdale, Long Island, New York.
Thursday, December 9, 2010
COUNTERPOINT: MACHINE
For this assignment I did paragraph and artifact, basically the idea here was to link how the "hi tech" movement allowed the interiors to change and incorporate different materials. I focused on how galvanized steel cables were incorporated on this Joe's cafe restaurant to provide a sort of tension force applied to the wall. Bridge engineers often look for tension, and the best material for this is steel cables.
Wednesday, December 8, 2010
END OF SEMESTER FINAL PROJECT [IARC 211]
The main purpose of this end of semester project was to retrieve all the work that we had done for this class. During the course of the semester, we studied light and shadow in one point perspective. We also studied the technique of rendering different textures and the technique of working with prisma color markers. Hand render is a long process, but fun to do so at the same time. All drawings on this board have been hand drawn, rendered scanned. In conclusion, learning how to draw in one point perspective is the tool that I'm walking out of this class with.
END OF SEMESTER FINAL PROJECT [IARC 201]
Folding Space Through Wovin Wall and Modular Acoustic Ceiling Panels
Wovin Wall is a modular system which can be extended in any direction to suit most spaces. For interiors which change frequently (such as exhibition and retail spaces), the modular nature of the Wovin Wall product is the perfect medium to reflect new color schemes, product launches or seasonal changes. Wovin Wall is available in a wide variety of standard finishes such as 3form C3 Color, wood veneer, polyresin, laminate and anodized aluminum. They can also be made from custom materials to suit the client’s project.
Design Process
The basic concept that opened my mind to explorations through folding was a project that I had done at my previous college. I started out with the idea that I wanted to build a floor tile, this idea was very interesting because when working with tiles the results are symmetry, repetition and balance. And that is exactly what I was looking for and willing to build out of the fold project. I started out by playing with different shapes, and looking for patters that would give me symmetrical objects. Up to that point I did not have a rule which gave me a more control of what I was experimenting. After a couple of models and explorations that I did, I came up with a rule that would orient me to a certain point.
The rule was very simple, all folds come to the center, and based on that rule, I began to explore more of it. I kept building more models to give me an idea of which of those I could use towards a final one. Then I decided that I wanted to begin hanging all my models that were meeting my rule. I hung 10 models that I thought would begin to give me a certain idea of repetition. Ideas kept going through my head and as I kept looking at those models, I started noticing a relationship of paper and lighting. Then I got the idea of building a modular suspended ceiling panel. Throughout my research I found out that ceiling panels play a major role with acoustics, absorbing the sound and defining space of a certain room. Modular ceiling panels are used in reception desk area, bars, meeting rooms, waiting rooms, and so forth.
After I decided which of my models I wanted to use for my full scale model, I began to research on diagramming. One of the sources that helped me a lot was “The Function of Form” , a book that has complete diagrams and structures that gave me inspiration. After I got a clear understanding of where my project was heading to, I began to think about scale, materials, human interaction, and components that are critical to acoustic ceilings as well as components that are integrated in modular ceiling panels such as lighting.
FINAL BOARD 1
FINAL BOARD 2
FINAL BOARDS AND MODEL DISPLAY
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